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Ironically, the different art style is distracting and stunningly beautiful the simple, folkloric beauty of the characters combine with placid tableaux of hills and straw houses to evoke a powerful sense of nostalgia, lending the work a serene beauty while paying homage to the story’s provenance. Takahata decided that the film should be animated in watercolor and charcoal style, a deviation from Ghibli’s usual iconic style, in order to better engage viewers’ imaginations. In Studio Ghibli co-founder Isao Takahata’s final directorial effort, the studio presents a masterful interpretation of a centuries-old Japanese fable. “The Tale of Princess Kaguya” (2013) is the only film on this list not directed by either Miyazaki. “The Wind Rises” is as close as we’ll get to a personal retrospective of Hayao Miyazaki’s life and work, and it’s a must-watch for anyone planning on seeing Gorō Miyazaki’s “Earwig and the Witch” in February.Ī still from ‘The Tale of Princess Kaguya.’ (Studio Ghibli) It’s not a secret that “The Wind Rises” has semi-autobiographical elements, and you don’t have to look too hard to spot parallels between Jiro’s ambition for flight and Miyazaki’s lifelong pursuit of beauty. However, the film is also a treat for the ears - the vast majority of its sound effects, including engine noises and an earthquake, are made by human voices. The picture is, of course, a mesmerizing treat for the eyes, evident in the resplendent sunsets of its soaring dream sequences. This excellent feature is at once a meticulous portrait of prewar Japan, a contemplative meditation on the implications of Jiro’s planes being used in World War II and a heartbreaking, moving love story. The film, which presents a fictionalized biography of aeronautical engineer Jiro Horikoshi, is regarded by fans and critics as Miyazaki’s swan song. “The Wind Rises” (2013) was believed to be Hayao Miyazaki’s final film, as, not for the first time, Miyazaki intended to permanently retire after its release.
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Will the full CG of “Earwig and the Witch” be an innovation or an estrangement for the studio?Ī still from ‘The Wind Rises.’ (Studio Ghibli) However, innovation can breed estrangement, especially when considering a formula as beloved as Studio Ghibli’s. That being said, “From Up on Poppy Hill” is not without its thought-provoking themes - the film revolves around two high schoolers’ plan to save their Yokohama clubhouse before the 1964 Tokyo Olympics, and the intersection of tradition and modernity features as one of the film’s key ideas. This more grounded art direction allows both Miyazakis to present compelling individual narratives while encapsulating specific Japanese time periods with astounding facility. By shedding the fantastical elements of “Spirited Away” or “Howl’s Moving Castle” that scared us as children, the Miyazakis tell personal stories with a subtlety that the films of Ghibli yore eschew in favor of broader musings. The Ghibli films of 20 highlight the studio’s shift to a more realistic storytelling approach. In a rare collaboration between father and son, “From Up on Poppy Hill” is Gorō’s most successful work and is Ghibli at its most lighthearted. “From Up on Poppy Hill” (2011) is the only film on this list directed by Gorō Miyazaki. The eponymous hill serves as the narrative and thematic centerpiece in ‘From Up on Poppy Hill.’ (Studio Ghibli) Will “Earwig and the Witch” be the work that allows Gorō to live up to his name, or will its ambition alienate him from Ghibli fans forever?Īhead of “Earwig and the Witch”’s release, the Wheel compiled a list of Ghibli films to watch on HBO Max. The trailer for “Earwig” has garnered skepticism from fans and critics alike, with many questioning the need for a reinvention of the studio’s celebrated traditional animation style.Ĭan Miyazaki hope to possibly cement his place as one of Studio Ghibli’s renowned directors by way of technological reinvention? The relationship between father and son is known to be fraught, so it’s understandable that Gorō might aspire to one day fill his father’s shoes. At a press conference for the film, Miyazaki boasted, “I didn’t consult with the old guys at all.” Bold words, considering the “old guys” are responsible for creating some of the most adored animated films in history.
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The film will be the studio’s first fully 3D computer-generated project, representing the younger Miyazaki’s desire to rejuvenate Ghibli and propel it into modernity. Gorō Miyazaki, son of beloved Studio Ghibli co-founder Hayao Miyazaki, will release his third feature film, “Earwig and the Witch,” on Feb.